Friday, August 7, 2009

"Coraline" Feature Recieves Krumbs Up From The Kreep


Brazillia R. Kreep

I am so in love with Henry Selick’s animated 3D masterpiece Coraline that I will see it a hundred times more, and if so allowed, many times thereafter. Such a luscious and ample world it creates. From the very launch of the film, a tiny whiff of shadowy wonder swiftly frees my inner child, taking him by the hand, touching the oh-so-curious nature of his heart, to place him delicately at the foot of magnificent awe and splendor.

Based on Neil Gaiman’s superlative book, Coraline achieves a classic ambience, a look and feel that has and will continue to weave itself into the very fabric of our culture. Fantastic characters, visual parades of pomp and circumstance, Gothic flights of fancy all wrapped within a musical score by the stirred maestro Bruno Coulais, and this Coraline is easily and without question this generation’s Wizard of Oz.

I have heard the whispers of caution to the kiddies. Ignore them all I tell you. For flying monkeys grabbing little girls and puppy dogs in the land of Oz certainly had me running for the covers when I was just a child, and the very reason I went back for more each and every year. Life IS scary after all, and unpredictable, and wondrous too. That’s why Coraline fits the bill so scrumptiously.

I will not waste your precious time on regurgitated storylines or detailed moments that spoil the surprise, but rather encourage you to go out and buy your ticket straight away at once without delay. For when I sat in the theatre full of adults and wee ones chattering and guffawing about nothing much, the moment Coraline parted the curtains, there was a hush that lingered throughout the entire film. Only the collective waves of revelations, yelps, and opulent ovations remained until the final credits rolled. A wondrously fabulous thing indeed!

In e†ernity,

Brazillia R. Kreep

CORALINE’S PLIGHT
So ignored cute Coraline
From her lips began to whine
On this n’ that and other things
O’ How her mind performed handsprings
Into shadows here n’ there
Places where y’go nowhere
Up n’ down n’ all around
In n’ out n’ quite housebound
Coraline would soon begin
A journey everywhere within
Through a tiny modest door
Supernatural decor
T’find such splendid things
Upside down round rumblings
Pings n’ pangs n’ bings n’ bongs
Dings n’ dangs n’ dips n’ dongs
Coraline exhausted all
Soon t’sleep before nightfall
Then t’wake back home n’ then
Open up the door again
Pops n’ pows n’ booms n’ bangs
Fits n’ fizzes n’ Tweets n’ twangs
All of it was grandiose
Words of it were quite verbose
Yet a price She’d have t’pay
As the darkness came t’stay
Deeper darker days appeared
Wild this was so awfully weird
How she wished it in reverse
Creepy creatures t’disburse
But too late our sweetie be
How she’d pay so dearly
Coraline knew but did ignore
Be careful, kids, what you wish for

R. O'DONNELL GETS SHOT

r-white-seamless-161

Producer/writer R. O’Donnell gets his picture snapped by Fine photographer Eric Hoffhines who graduated with a BFA in Photography & Cinema from Ohio State University. He has freelanced for CNN and worked in all areas of production for ABC Network News, Nightline, and the original Oprah Winfrey Show.

Eric has worked as a cameraman and editor on the Fox Chicago comedy special Twisted starring Matt Besser of Comedy Central’s The Upright Citizens Brigade. For continuity, Eric co-created, along with O’Donnell, commercials featuring Besser that were shot and edited ala Ernie Kovacs for a seamless hour of programming. Sponsors included McDonalds, Toyota, Jiffy Lube, Ameritech, and Office Max.

'Finch & Lily' Film Crew Gets the Word Out

The feature film Finch & Lily launches wordpress blog by the same name.

Starbrite Pictures, a division of R. Productions in Chicago , is developing a script by award-winning writer Richard O’Donnell entitled Finch & Lily . Columbia College’s Katie Mahalic is in talks to direct.

Ms. Maholic was this years recipient of Columbia Colleges Big Screen 13 film festival Audience Award for her short film?Michael Saints, and her filmThe Mole, a 10-minute short is circulating through domestic and international film festivals. The film has screened in the U.S, Canada, Australia, and has just recently been accepted to the Euro-Asian Film Festival held in Washington D.C..

Appearing out of nowhere, a mysterious Albert Finch takes up residence at a rundown transient hotel in Chicago. There he befriends agoraphobic Lily Crumb and an array of characters that benefit in odd and miraculous ways from his simply being there. But Finch has a secret that will alter their lives forever, bringing a little bit of heaven to the residents of the Star Brite hotel.

Broadway composers Dianne Adams and Jim McDowell are tapped to score while stage, film and TV actress Megan Cavanagh is slated to star as Sister Olgelbee.

Pre-production begins Fall 2009.

> Finch and Lily blog

'Finch & Lily' Film Crew Twitter Away

Finch & Lily screengrab

Finch & Lily feature film crew join the twitter phenomenon.

Starbrite Pictures, a division of R. Productions in Chicago , is developing a script by award-winning writer Richard O’Donnell entitled Finch & Lily . Columbia College’s Katie Mahalic is in talks to direct.

Ms. Maholic was this years recipient of Columbia Colleges Big Screen 13 film festival Audience Award for her short film Michael Saints, and her film The Mole, a 10-minute short is circulating through domestic and international film festivals. The film has screened in the U.S, Canada, Australia, and has just recently been accepted to the Euro-Asian Film Festival held in Washington D.C..

Appearing out of nowhere, a mysterious Albert Finch takes up residence at a rundown transient hotel in Chicago. There he befriends agoraphobic Lily Crumb and an array of characters that benefit in odd and miraculous ways from his simply being there. But Finch has a secret that will alter their lives forever, bringing a little bit of heaven to the residents of the Star Brite hotel.

Broadway composers Dianne Adams and Jim McDowell are tapped to score while stage, film and TV actress Megan Cavanagh is slated to star as Sister McGee.

Pre-production begins Fall 2009.

> Finch & Lily twitter