Showing posts with label The Kreep. Show all posts
Showing posts with label The Kreep. Show all posts

Saturday, April 3, 2010

Introducing Gothic Poet & Illustrator The Kreep


Brazillia R. Kreep

I was born Brazillia R. Kreep in Lizzards Point, Pa., October 31, 1756.

The city was named after my great, great grandfather Brazillia L. Kreep. The "L" for Lizzard, passed down through several generations. I am an author of dark ethereal poetry n’prose. Presently, I write Gothic poetry as well as many little illustrated books such as Kreeplets, Kreepy Krumbs, Kreep Sakes, and the novel Parenthia Ghoste.

Please visit my hauntings here or where'er my links will take you.

in E†ernity,

Brazillia R. Kreep
The Kreep

READ THE KREEP

More The Kreep

The Kreep Art
The Kreep Vampire Freaks
The Kreep Twitter
The Kreep MySpace
The Kreep Facebook
The Kreep Youtube
The Kreep Gothers

Coraline Animated Feature Film Honors Kreep Creator R. O'DONNELL

Not too long ago, Gothic poet and illustrator The Kreep (created by R. O’Donnell) received an entirely handmade box of treasures collected specifically for him by the CORALINE team at Laika films. Inside the box, numbered 46/50, are highly decorated secret compartments that contain relics from the film including a bat/dog model, a bat body mold, authentic skeleton key with secret password, and a wing skeleton prototype #3. An old envelop with a wax seal with inlaid black button (as used for the eyes of the witch) and a hand-typed note explained the curious gift:
DEAR R.,

INSIDE THIS OLD BOX IS A ONE-OF-A-KIND COLLECTION WE’VE AMASSED AND CATALOGUED WITH YOU AND YOU ALONE IN MIND…THE PLAIN TRUTH OF THE MATTER IS, WE ARE PRETTY OBSESSED WITH DARK STORIES. LIKE YOU. WE ADMIRE YOUR DEDICATION TO THE KREEP. PLEASE KEEP UP THE SUPER WORK. WE’LL BE READING.

SINCERELY,

THE CORALINE TEAM

351 of the world’s oddest and most talented animators, artisans, and puppet fabricators have hand-made CORALINE. Led by Henry Selick, the director of THE NIGHTMARE BEFORE CHRISTMAS and JAMES AND THE GIANT PEACH, this team has created the first stop-motion feature shot entirely in 3D. Based on the beloved best-selling children’s classic by Neil Gaiman, CORALINE is a fairy-tale nightmare steeped in classic storytelling, craftsmanship, and the old-fashioned art of moviemaking magic.

CORALINE was nominated for an Academy Award for best Animated Feature.



Still NO. 93. BAT/DOGS



Bat Body Mold (Unfiled)



NO. 46/50



Skeleton key with password: armpithair



Letter with Wax Button seal



Wing Relic † Skeleton Prototype (3)

photos: Eric Hoffhines

READ THE KREEP

Kreeplets by The Kreep

Continuing my lessons in virtual art for Kreeplets, I painted n' penned a poem about surly twins. Here's a taste of art and verse.

in E†ernity,
The Kreep

DOUBLE TROUBLE

Double Trouble, twins despair
How they loved the cold night air
T’tinker in a misty yard
T’set ablaze their calling card

Double Trouble, twins beware
How they loved a fine nightmare
T’wake an creep around the block
Hide in the shadows whilst they gawk



Double trouble, twins macabre : Ranulf n' Maurice Vitkus

KREEPLETS ART

KREEPLETS WORDS

Friday, August 7, 2009

"Coraline" Feature Recieves Krumbs Up From The Kreep


Brazillia R. Kreep

I am so in love with Henry Selick’s animated 3D masterpiece Coraline that I will see it a hundred times more, and if so allowed, many times thereafter. Such a luscious and ample world it creates. From the very launch of the film, a tiny whiff of shadowy wonder swiftly frees my inner child, taking him by the hand, touching the oh-so-curious nature of his heart, to place him delicately at the foot of magnificent awe and splendor.

Based on Neil Gaiman’s superlative book, Coraline achieves a classic ambience, a look and feel that has and will continue to weave itself into the very fabric of our culture. Fantastic characters, visual parades of pomp and circumstance, Gothic flights of fancy all wrapped within a musical score by the stirred maestro Bruno Coulais, and this Coraline is easily and without question this generation’s Wizard of Oz.

I have heard the whispers of caution to the kiddies. Ignore them all I tell you. For flying monkeys grabbing little girls and puppy dogs in the land of Oz certainly had me running for the covers when I was just a child, and the very reason I went back for more each and every year. Life IS scary after all, and unpredictable, and wondrous too. That’s why Coraline fits the bill so scrumptiously.

I will not waste your precious time on regurgitated storylines or detailed moments that spoil the surprise, but rather encourage you to go out and buy your ticket straight away at once without delay. For when I sat in the theatre full of adults and wee ones chattering and guffawing about nothing much, the moment Coraline parted the curtains, there was a hush that lingered throughout the entire film. Only the collective waves of revelations, yelps, and opulent ovations remained until the final credits rolled. A wondrously fabulous thing indeed!

In e†ernity,

Brazillia R. Kreep

CORALINE’S PLIGHT
So ignored cute Coraline
From her lips began to whine
On this n’ that and other things
O’ How her mind performed handsprings
Into shadows here n’ there
Places where y’go nowhere
Up n’ down n’ all around
In n’ out n’ quite housebound
Coraline would soon begin
A journey everywhere within
Through a tiny modest door
Supernatural decor
T’find such splendid things
Upside down round rumblings
Pings n’ pangs n’ bings n’ bongs
Dings n’ dangs n’ dips n’ dongs
Coraline exhausted all
Soon t’sleep before nightfall
Then t’wake back home n’ then
Open up the door again
Pops n’ pows n’ booms n’ bangs
Fits n’ fizzes n’ Tweets n’ twangs
All of it was grandiose
Words of it were quite verbose
Yet a price She’d have t’pay
As the darkness came t’stay
Deeper darker days appeared
Wild this was so awfully weird
How she wished it in reverse
Creepy creatures t’disburse
But too late our sweetie be
How she’d pay so dearly
Coraline knew but did ignore
Be careful, kids, what you wish for